Here are few other things I liked at SFMOMA (with minimal commentary—and believe me I could bore you with plenty of commentary).
From Katharina Fritsch comes Kind Mit Pudeln (Child with Poodle). The installation includes 224 poodles surrounding a baby. Fritsch hints that this might be a reaction to the story of Faust, who while walking home sees a black poodle and brings it home, unknowingly inviting Mephistopheles (the devil) into his home. Or maybe the dogs are heroes, guarding the baby. It’s either creepy or heart warming.
Arturo Herrera’s 2000 work I Am Yours is made from cut industrial felt. I don’t know what it means but I like it.
You gotta love Kiki Smith. This work is beautiful and disturbing all at the same time. The photo does not do justice to the haunting glass eyes. Here is a sculpture called Lilith that hangs strangely on the wall.
If I didn’t know better, I’d swear this is a sculpture by Jeff Koons. But this predates Koons by at least 60 years. La negresse blonde (The Blond Negress) was created in 1926 by Constantin Brancusi. I love the innovative form that brings to mind so many images. And the sexy, shiny, seductive finish is well ahead of its time.
Finally, (and I’m about to go out on a big limb here) here is the work that changed art more than any other—Fountain by Marcel Duchamp. I love crazy, provocative, outrageous, challenging, silly, emotional, horrifying, kind, happy art. And in my life, all that art starts with this work. Marcel Duchamp definitively answered the question, “what is art.” And then he asked a more provocative question, “what is the artist?” Thanks Marcel.